Max Carlier was a Belgian still life painter associated with the Belgian School, renowned for its depictions of floral arrangements and fruit. Born in Tourcoing, Belgium, in 1872, Carlier occasionally ventured beyond still lifes to create genre scenes and interior compositions.
Primarily based in Brussels, Carlier traveled extensively across Europe, with a particular focus on Italy. He also spent a brief period living and working in Brittany, France.
Carlier’s work was characterized by a warm color palette and aligned with the Neo-Dutch tradition, a style that gained prominence in the late 18th century through artists like Gérard van Spaendonck, Jan van Huysum, and Rachel Ruysch. Following in the footsteps of these masters, Carlier adopted an analytical approach to his compositions, crafting opulent arrangements with meticulous attention to detail, refined craftsmanship, and a polished finish. His work exemplifies the elegance and precision of this artistic tradition.
